Neeme Järvi conducts Grieg’s “Peer Gynt” Suites
They are the epitome of Scandinavian music: Edvard Grieg’s Peer Gynt suites, whose echoes of Norwegian folk music radiate an unmistakably Scandinavian flavour. But when it comes to style and form, the composer remained, in his own words “a German Romantic". Here, overtures by Brahms and Weber show just how much Grieg’s music resembles German music. The conductor, Neeme Järvi, is one of the most well-known exponents of the Nordic repertoire.
There are not many conductors more frequently listed in recording catalogues than Neeme Järvi: he has made over 400 recordings over the years, many of them rarities from Scandinavia. Nordic music is also on the programme for this guest appearance by Järvi with the Berliner Philharmoniker – but on this occasion with one of the most popular works of the symphonic repertoire.
A love for the music of Northern Europe has accompanied Neeme Järvi all his life. His 1990 debut with the Berliner Philharmoniker included Arvo Pärt’s Third Symphony, and this was followed by further guest appearances with works by Wilhelm Stenhammar and Carl Nielsen. But it isn’t the exotic charm of this music that attracts the conductor – quite the opposite: he wants to show that it is “a part of both Europe and global culture”.
There is no better music to prove this than that from Edvard Grieg’s famous Peer Gynt suites. The Norwegian composer’s take on the folk music of his homeland has a distinctive Scandinavian flair. But when it comes to style and form, the Grieg remained, in his own words “a German Romantic of the Schumann school”. In this concert, overtures by Johannes Brahms and Carl Maria von Weber clearly show just how much Grieg’s music in fact resembles German music.
© 2010 Berlin Phil Media GmbH
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