Interviews de la saison 2019-2020

Denis Matsuev en conversation avec Aleksandar Ivić

Kirill Petrenko en conversation avec Eva-Maria Tomasi

Toshio Hosokawa en conversation avec Daishin Kashimoto

Kirill Petrenko en conversation avec Philipp Bohnen

Kirill Petrenko en conversation avec Olaf Maninger

Emmanuel Pahud en conversation avec Marie-Pierre Langlamet

Andrea Zietzschmann and Simon Rattle on a concert without an audience

Simon Rattle on Bartók’s Concerto for Orchestra

Jonathan Kelly in conversation with Tobias Möller

Elīna Garanča in conversation with Julia Gartemann

Kirill Petrenko in conversation with Christoph Streuli

Kirill Petrenko à propos de « Suor Angelica » de Puccini

Stefan Dohr, Paavo Järvi and Hans Abrahamsen in conversation

Kirill Petrenko in conversation with Martin Menking

Herbert Blomstedt on Bruckner’s Fourth Symphony

Kirill Petrenko in conversation with Alexander Bader

Craig Urquhart in conversation with Noah Bendix-Balgley

Diana Damrau in conversation with Albrecht Mayer

Kirill Petrenko in conversation with Raphael Haeger

Frank Peter Zimmermann in conversation with Tobias Möller

Jakub Hrůša in conversation with Matthew Hunter

Christian Thielemann in conversation with Aleksandar Ivić

Teodor Currentzis in conversation with Sarah Willis

Zubin Mehta in conversation with Walter Küssner

Zubin Mehta in conversation with Eva-Maria Tomasi

François-Xavier Roth in conversation with Jan Schlichte

Pierre-Laurent Aimard in conversation with Stephan Koncz

François-Xavier Roth in conversation with Stephan Koncz

Emmanuelle Haïm in conversation with Jonathan Kelly

Paavo Järvi in conversation with Sarah Willis

Adam Fischer in conversation with Christoph Hartmann

Anna Vinnitskaya in conversation with Raphael Haeger

Santtu-Matias Rouvali and Alice Sara Ott in conversation with Wenzel Fuchs

Daniel Harding in conversation with Sarah Willis

Isabelle Faust on Peter Eötvös’s Violin Concerto No. 3

Kirill Petrenko in conversation with Ludwig Quandt

Berg and Beethoven – an introduction by Malte Krasting

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