Symphonic pictures with Sir Simon Rattle
In this concert, Simon Rattle guides us through a gallery of symphonic pictures: a delicate scene from antiquity in Debussy’s Prélude à l’après-midi d’un faune; colourful, fairy-tale illustrations in Dvořák’s Golden Spinning Wheel, and an Expressionist drama in Schoenberg’s Verklärte Nacht. The concert closes in the portrait gallery with Elgar’s Enigma Variations, a series of highly original and affectionate portrayals of the composer’s friends.
As in a collection of paintings, the images in this musical tour are sometimes more realistic and sometimes more abstract. Claude Debussy’s non-narrative Prélude à l’après-midi d’un faune, based on a poem by Symbolist Stéphane Mallarmé, is such an example. In this case, it is exactly the shimmering fleetingness of the music that gives it its charm. In contrast, the fairytale story in Antonín Dvořák’s tone poem The Golden Spinning Wheel is portrayed almost literally. The question is more whether one should rather focus on the spontaneous joy of Dvořák’s balladesque music which provides the more intensive pleasure.
Arnold Schoenberg’s distinctive early work Verklärte Nacht can also be seen to tell a story – a relationship drama in a forest at night – but for the composer, it was about something else, namely the representation of “poetic nature and human feelings.” With Edward Elgar’s Enigma Variations, we reach the “portrait” section of our musical gallery. In Edward Elgar’s Enigma Variations, a theme is followed by 14 variations, each of which characterises an important person in Elgar’s life. The musical portrait entitled “Nimrod” is particularly well known. Thanks to its perfectly measured emotionalism, it is a must at almost every state occasion in Great Britain.
© 2012 Berlin Phil Media GmbH
