András Schiff plays Bach, Mozart and Haydn
In the words of one critic, András Schiff is “a magician of sound who breathes life into works, and who upholds the almost forgotten ideal of piano playing”. As soloist and conductor, he performed two thought-provoking D minor piano concertos by Bach and Mozart as well as the no less dark Military Symphony by Joseph Haydn, works which time and again are interrupted by the horrors of war.
András Schiff is a pianist with a clearly circumscribed repertoire. He does not play Liszt, Rachmaninov or Ravel – by his own admission, he is only interested in composers in whom he can recognise a connection to the music of Bach. For him, these include Wolfgang Amadeus Mozart and Joseph Haydn. And of course Bach himself is also included in this concert.
In this recording, Schiff appears on the platform as both pianist and conductor – just as Baroque and Classical composers of the day once directed their concertos from the keyboard. The evening opens with Bach’s Piano Concerto No. 1 in D minor, a work which the Berliner Philharmoniker had not performed for over half a century – or, to be more precise, not since the legendary performance with Glenn Gould and Herbert von Karajan in 1958.
Schiff meaningfully couples this work of Bach’s with Mozart’s Piano Concerto No. 20, which is also in D minor and already foreshadows with its sombre emotion the Romantic piano concertos of the 19th century. A not dissimilar world of expression is evoked in the demonic Don Giovanni overture as well as in Haydn’s Military Symphony, in which latter work the composer succeeds in making tangible the depths and horrors of war – powerful evidence to refute Haydn’s widely assumed blandness.
© 2010 Berlin Phil Media GmbH
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