Interview
Cameron Carpenter and Sarah Willis introduce the organ of the Berlin Philharmonie Cameron Carpenter at the organ of the Berlin Philharmonie
With artistic ease, he lets his toes and heels dance over the pedals (sometimes simultaneously), while his hands move over the manuals at lightning speed: Cameron Carpenter pushes the limits of what the organ can do in terms of forces of sound and colour. Here, his qualities were revealed in a spectacular concert on the Karl Schuke organ in the Philharmonie Berlin.
The young American keyboard virtuoso Cameron Carpenter uses every free moment his hands and feet have to change stops or to adjust the sound intensity with the swell pedals. A physical challenge, which this exceptional musician, born in Pennsylvania in 1981, meets with hard training: “It is incredibly important to keep in shape.” Carpenter has been spoken about since a complete performance he gave of Bach’s Well-Tempered Clavier when he was only eleven years old. He went on to study organ and composition at the North Carolina School of the Arts, then at the Julliard School in New York. Due to his flamboyant appearance, he is often described today as a “bird of paradise in his field”, he wants to revolutionise the rather dusty image of his instrument. “The musical traditions I deal with,” he says, have “nothing to do with the organ. They belong more to Karajan, Horowitz and Argerich.”
Cameron Carpenter
© 2012 Berlin Phil Media GmbH
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