Dance project: Season’s Whims
The appeal of Jean-Philippe Rameau’s music lies in its Baroque gracefulness, but at the same time, it is full of exciting expressiveness and variety. In addition to sarabandes, marches and chaconnes, there’s thunder, storms and the sounds of war – perfect for a student ballet, as the Berliner Philharmoniker demonstrated in their Education Programme. The conductor of this performance is the Early music specialist, Emanuelle Haïm.
When in June 2011 over 100 students got together for the annual dance project of the Berliner Philharmoniker’s Education Programme, the music of a Baroque master was programmed for the first time. The project involved a newly assembled suite using music from stage works by Jean-Philippe Rameau. The choreography was devised by Vivienne Newport, who for many years was a dancer and close associate of Pina Bausch.
The images conjured up by Rameau’s music combine here with improvisation in an uninterrupted flow of movement by the dancers. Besides sarabandes, marches and chaconnes, there’s thunder, portrayals of storms, the sounds of war, and there are also improvisations by Berlin music students. All this blends together with the continuous flow of movement from the dancers. Their dynamism and enthusiasm, the full power of their performances – sometimes running, sometimes striding with ironic courtly stateliness – is as varied as the music itself.
And just as the music changes mood between wildness, painful melancholy and tenderness, the choreography reflects the whole gamut of emotions, from joyful ecstasy to the depths of despair, something most young people are likely to recognise. What in any case is obvious throughout, is the total commitment of the young dancers, and – like the many others before them who have participated in these dance projects – just what an immediate and rewarding experience the interaction with classical music can be.
Berliner Philharmoniker
Emmanuelle Haïm
© 2011 Stiftung Berliner Philharmoniker
