Beethoven’s Piano Concerto No. 1 with Mitsuko Uchida and Simon Rattle
Simon Rattle’s performance of the complete piano concertos of Beethoven was a highlight of the 2009/10 season. The soloist was Mitsuko Uchida: a “queen of her instrument” (The New York Times) who has been charming Berliner Philharmoniker audiences since 1984 with her at once sensitive and sinewy tone. To start off the cycle, the First Piano Concerto was framed by two works by Ligeti and Jean Sibelius’ First Symphony.
It is one of the highest accolades the Berliner Philharmoniker can award: to invite a soloist to perform a complete cycle of works with the orchestra. In the case of Mitsuko Uchida, this is not wholly unexpected: as Pianist in Residence in the 2008/09 season, she regularly performed in the Philharmonie. One year later, all five of Beethoven’s piano concertos were included in the programme – none of which Mitsuko Uchida had performed with the Philharmoniker before. The cycle begins here with a performance of the First Piano Concerto. Simon Rattle juxtaposes Beethoven’s works with the symphonies of Jean Sibelius as an appealing accompaniment.
For a long time, Sibelius’s works were regarded as the expression of a suspiciously traditional compositional style. Today, however, as it is now generally accepted that great music can reveal itself in a variety of forms, we can approach this austerely beautiful music with unbiased ears. Opening this series, the Berliner Philharmoniker under the baton of Sir Simon Rattle perform his First Symphony, a work typical of the late-Romantic era, whose expressiveness is likely to have been inspired by Tchaikovsky’s Pathétique which was composed only a few years earlier.
The Beethoven-Sibelius cycle had yet another facet: works by Hungarian composers, which together formed one of the themes of the 2008/09 season. Ligeti’s Atmosphères was one of the pieces to be performed here, which also became famous outside classical circles through the film 2001: A Space Odyssey.
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