Elgar’s Cello Concerto with Alisa Weilerstein and Daniel Barenboim

On the first of May the Berliner Philharmoniker give their traditional European Concert, an annual event to celebrate the founding of the orchestra on 1 May 1882. In 2010, the concert, conducted by Daniel Barenboim, took place at Oxford University’s Sheldonian Theatre. And, as is often the case, the orchestra presented its programme to the audience in the Philharmonie a few days earlier. In keeping with the occasion, they could look forward to a German-British programme. It began with Edward Elgar’s Cello Concerto, which Barenboim had already performed 40 years earlier with the Berliner Philharmoniker, together with his then wife Jacqueline du Pré. The soloist in this concert, making her debut with the Berliner Philharmoniker, was Alisa Weilerstein. Yo-Yo Ma wrote about this young American artist: “I remember that one of my first impressions of her playing was that she is so full of passion. More recently I was struck by how fearless Alisa is. Those two qualities, in combination with a great musical intelligence, really define her artistry for me.”

The German contribution to the programme consisted of the Prelude to Act 3 of Richard Wagner’s Meistersinger and Johannes Brahms’ First Symphony. It was Hans von Bülow – once principal conductor of the Berliner Philharmoniker – who, with regard to this work of Brahms, spoke of “Beethoven’s Tenth” – a bon mot that doubtlessly promoted the popularity of the work but which fails to do full justice to its forward-looking, individual characteristics.

Berliner Philharmoniker

Daniel Barenboim

Alisa Weilerstein