Claudio Abbado conducts works with a maritime theme at the 1998 Europakonzert from Stockholm

The opening piece was an obvious choice: the overture to Wagner’s Der fliegende Holländer (“The Flying Dutchman”), which conveys the incredible force of an eerie night storm on the high seas. A similar portrayal is to be experienced in Tchaikovsky’s orchestral fantasy The Tempest, based on Shakespeare’s play of the same name – although here, other scenes from the fairy tale-like story are also heard, but without recounting the complicated story in detail.

Even less tangible are Debussy’s Nocturnes: music that does not directly illustrate, but rather suggests. In the first movement we encounter Nuages – clouds, followed by festivals (Fêtes) and sirens (Sirènes). In this last movement, we are back at sea with its flaring and swaying rhythms, and the choirs also make their first appearance. Two of Sweden’s most internationally renowned musical institutions, the Swedish Radio Choir and the Eric Ericson Chamber Choir, took part. In the multifaceted Quattro pezzi sacri by the 80-year-old Verdi, they can then show their abilities to full advantage. These spiritual works set a counterpoint to the preceding tone poems. It is not the storms of nature which are in focus, but the change from calm and turmoil that every person carries within himself.

Berliner Philharmoniker

Claudio Abbado

Chœur de chambre Eric Ericson

Chœur de la Radio suédoise